The Blurberati Guide to Online Workshops for Writers

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Who wouldn’t want to pack up their laptop, hop a plane, and commune with other creatives in some bucolic setting like Vermont at the the famed Bread Loaf Writers’ Conference or maybe Bali for the annual Ubud Writers and Readers Festival. Sounds good to us.

But let’s be honest, there’s that sticky bit about the plane ticket, the time, and oh yeah, the money. Not to worry, you can still fine-tune your writing without traveling far.

First stop: the Internet. Take a look at these resources and find a workshop near you – or one you can attend online. Here goes:

Wikipedia’s list of writers’ conferences is fairly comprehensive and includes listings in the U.S., U.K., and Canada. Be sure to dig further and do a little research of your own to make sure the event listing that you’re interested in is current.

Writer’s Digest University has a great catalog of online courses on subjects as diverse as social media how-tos for authors to the nuts and bolts of grammar to advanced novel writing workshops.

Poets & Writers magazine also has a terrific database of events, workshops, and resources. They also do a stellar job of laying out questions you should ask yourself before choosing a workshop.

Mediabistro has a whole menu of online courses. Many of them are geared to magazine writing, but you’ll also find courses on novel writing, social media, and self-publishing.

That’s good for a start. Let us know if there are online resources you’ve found and loved. We’re all for helping Blurbarians get their novel/short story collection/poetry book/memoir/children’s book/family history/cookbook/magnum and mini opus finished, self-published, and out into the world!

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Books of the Week: Typography Roundup

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We love type. And judging by the number of books about type we have in our bookstore, you do too. Here’s a round-up of recent books that celebrate typography.

Type City is more than just a valentine to lettering, it’s also a “designer’s guide to New York City.” Eva Curran brings out the character of the city in her whimsical illustrations.

type city1 Books of the Week: Typography Roundup

The Serif Without is a story of a letter who’s a little different from the other letters. Told like a children’s story, it’s actually a fun little lesson in type history.

serif without Books of the Week: Typography Roundup

Finally, we’ll round out this roundup with a book that mixes two of our favorite things: drinks and killer design. The Typography Bar features wonderful drink recipes and a clean, vintage-inspired look.

Typography Bar Books of the Week: Typography Roundup

 

 

 

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#Camerathursdays: The Book

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camerathursdays spread blog1 #Camerathursdays: The Book

A few weeks ago we published our twentieth #camerathursdays post. That seemed like a milestone worthy of a book. So I fired up Blurb BookSmart, slurped in the blog posts, and a book was born (actually there were a few more steps: like getting access to the original image files in order to get them at print-friendly 300 DPI resolution). It’s really nice seeing these posts side by side. And it will be particularly cool handing a copy out to each of the employees that participated.

Check out the full preview below:

 

 

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A Tribute to Maurice Sendak

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65.st .wildthings13 A Tribute to Maurice Sendak

Where the Wild Things Are by Maurice Sendak

Beloved author (notice we didn’t say “children’s author,” more on this in a bit) Maurice Sendak died at his home in Connecticut on Tuesday, May 8 at the age of 83. Obviously, we were huge fans. As a small tribute to this great talent, here’s a roundup of our favorite Sendak quotes.

He wrote what he wanted: “I refuse to lie to children. I refuse to cater to the bull—- of innocence.”

He loved a good compliment: “Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.”

He didn’t see himself as a writer for children: “I really do these books for myself. It’s something I have to do, and it’s the only thing I want to do. Reaching the kids is important, but secondary. First, always, I have to reach and keep hold of the child in me.”

He really didn’t see himself as a children’s author: “A woman came up to me the other day and said, ‘You’re the kiddie-book man!’ I wanted to kill her.”

He understood children: ”Children are tough, though we tend to think of them as fragile. They have to be tough. Childhood is not easy. We sentimentalize children, but they know what’s real and what’s not. They understand metaphor and symbol. If children are different from us, they are more spontaneous. Grown-up lives have become overlaid with dross.”

He kept his perspective: “I’m writing a poem right now about a nose. I’ve always wanted to write a poem about a nose. But it’s a ludicrous subject. That’s why, when I was younger, I was afraid of writing something that didn’t make a lot of sense. But now I’m not. I have nothing to worry about. It doesn’t matter.”

He was, simply, a wonderful writer and will be missed:

And he sailed off through night and day

and in and out of weeks

and almost over a year

to where the wild things are.

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